Originally from the farms and fields of upstate New York, Kate is a NYC-based actor/playwright. She still knows how to milk a cow - albeit not well (both she and the cow get verrry nervous).
She is deeply passionate about creating new female classics: stories that center around complicated women. Her work as a playwright celebrates theatricality, often features absurdity, and closely examines social and gender issues - as well as the timeless struggle to reconcile conscience / identity with social pressures. As an actor, she tends to play truth-tellers, oddballs, and misfits: complicated people who color outside the lines.
Kate was named 2017's Playwright of the Year by the Wall Street Journal. Recent plays include Sense and Sensibility (in which she originated the role of Marianne) - Winner, Off-Broadway Alliance Award; Nominee, Drama League Award; 265+ performances off-Broadway; "Top Ten Theater of 2014" - Ben Brantley; "the greatest stage adaptation of this novel in history” - Huffington Post. Other plays include Vanity Fair (in which she originated the role of Becky Sharp; Nominee, Off Broadway Alliance Award; WSJ Critic's Pick), Pride and Prejudice (In which she originated the role of Lizzy Bennet; Nominee, Off Broadway Alliance Award; "Best Theater of 2017", Huffington Post; WSJ Critic's Pick), In the Mines (Sundance Lab semi-finalist), Little Women, Em (Red Bull New Play finalist), Little Fellow (O’Neill semi-finalist). Her plays have been produced off-Broadway, at A.R.T., Oregon Shakespeare Festival, the Guthrie Theatre, Seattle Rep, PlayMaker’s Rep, Hudson Valley Shakespeare Festival, Dallas Theater Center, Folger Theatre (8 Helen Hayes Award nominations; Winner, best production - S&S) & others. Future productions on the UPCOMING page. Kate’s Sense and Sensibility, Pride and Prejudice, & Vanity Fair are published by DPS; her Little Women and Mansfield Park both premiere in 2018. She is currently working on an adaptation of The Odyssey (commissioned by A.R.T.) and a new adaptation of The Scarlet Letter, as well as several new original plays - including Love Poem, In The Mines (Sundance Semi-Finalist) The Piper, and Prostitute Play (O'Neill Semi-Finalist; now commissioned by Cygnet Theater). She was one of 2018-2019’s top 5 most-produced playwrights nationally; she was also 2017-2018’s top 10 most-produced playwrights, and wrote one of the top 10 most-produced plays nationally in both 2017-2018 and 2018-2019.
Additional acting credits include: The Seagull (Bedlam; "best classical productions of 2014" - WSJ) Noises Off (Syracuse Stage), The General from America (HVSF), Cyrano (“Outstanding Performance by an Actress”- DFW Critics Awards, Amphibian Stage), Internet Famous (Youngblood), Dreams of A West Texas Marsupial Girl (PearlDamour), All That Fall (Cherry Lane), When the Levee Broke (Workshop Theater), Playboy of Paris (Phoenix Theatre Ensemble), Separation Rapid (Chenango River Theatre), Walk Two Moons (Theatreworks), Good Person of Szechwan (Columbia Stages), The Nameday Party (Schapiro Theatre).
Numerous independent films that she has performed in have gone on to festival success, including: Clermont Ferrand Film Festival, Cannes Film Festival, Festival del Film Locarno, Brooklyn Film Festival, Boston Int'l Film Festival, New Orleans Film Festival (Jury Award Finalist), Honolulu Film Festival, Black Maria Film Festival (Stellar Award), etc. Kate has a BFA in Acting, Ithaca College.
Off-Broadway, she also associate-produced TAKE WHAT IS YOURS with Anecdota at 59E59 (New York Times' Critic's Pick, Henry Hewes Award Nominee) and SAINT JOAN (Bedlam at Access). Post-grad acting training includes Bob Walden, Ken Schatz, Caymichael Patten, and Jon Dapolito. She currently studies with Jane Guyer Fujita.
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